THE SHIFT (MY FIRST WEAVING)

In 2000 I took a job at Shaw Industries and moved to Chattanooga TN.  It was a fun job designing area rugs, and at one time around 2009 I guess, I remember standing at my kitchen sink in my own house and being perfectly happy.  I had found my person, and I had a wonderful job that I enjoyed. Everything was in place.

My work crew was a fun and fantastic bunch.  We were all around the same degree of silly. They were like family. They cared when I didn’t show up for work, and they showed up for me at my mother’s funeral 2 hours away like my own secret service protectors. We had so much fun and made great products. 

That ended in January of 2014 when Shaw decided they would no longer make rugs.   It was a huge heartbreak. But you know what? In that 14 years I had made no real art. Looking back it was the kick I needed.  

I ended up working for an Indian company after that.  It was stressful. I was overworked and felt bullied. I was made to go to India, and I blamed that on a Pinterest board I had made a couple years prior entitled “Mendhi and Other Dreams of India” like I had somehow manifested it.  

I hashtagged my trip #eatprayrug, and posted all kinds of cool images. I was still buried in depression from losing the best job I ever had.  I was to “get an understanding of handweaving”. You see, until then I had only designed for machines. I learned very little about handweaving.  I did learn that nothing could pull you out of a funk like being in a place that was so different.  I was lucky to go to India. 

I came back and immediately moved into my first studio that I had rented to get out of the house. I went there for work each day and cranked out area rug designs. Surrounded by artists, I started painting and participating in the shows we would have on the first Friday of the month.  I’m a better creator than I am a painter, and I felt like such an imposter.  I picked up a little plastic loom and made this scrappy little thing. 

In 2017 for a group project in conjunction with the Hunter Museum in Chattanooga, I decided I would attempt my piece with yarn instead of paint.  The day I finished it, my contract with India was suddenly over, and I also wrecked my car. 

Shaw felt like the heartbreak of a divorce. This time getting let go felt like finally getting out of a bad relationship.  I took 6 months off after that, and that summer I became more than a rug designer, I became an artist.




New Work: Relic I

I began Relic I in January 2020.  This was going to be a strong year, and I was going big to celebrate it and I was going to push my art forward.  I spent Sunday afternoons sitting in my sunny studio working on this beast of a weaving. 

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But before I talk too much about this, I must tell you about the afghan.  I come from a long line of women and yarn. My grandmother crocheted, and I vaguely remember that maybe her mother did? My mother did.  I tried when I was twelve, but I didn’t have the patience. I certainly couldn’t make one of these throws, but oh my grandmother and mom did.  As a small child, I would hide under these things and watch Scooby Doo.  The holes allowed viewing with just the right amount of protection.    Upon my grandmother’s death I was given an acrylic beige crocheted throw that had been made by my mother as a gift for her mother.  My mother had passed years before, and the aunts thought I would like to have it.  Ok, so here I admit….I don’t really like crochet. I especially don’t like acrylic yarn.  But there I was, given yet another afghan.  (I am pretty sure the one that she had made me ended up at Goodwill).  It sat in a trunk for a few years until I decided to shred it. 

Yes. I did.  I had an idea to take this thing that had only sentimental value and turn it into art that I would appreciate more.  

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Relic I was my first piece on my big loom.  As I moved up the loom, I thought about how things get passed down through generations. The material things AND the intangible things like strength and resilience. Three generations of strong women. I can’t help but wonder how my mother and her mother would have handled this year.  I started to envision my piece being a ship that was built to stand up against big storms. 

Towards the beginning of April we went on lockdown because of the pandemic.  I wanted my large loom home with me but I couldn’t transport it with the weaving still on it.  I ended it as I had left it last.  Because of that the shape became more ship-like.  

I will always remember that night.  I hadn’t been out in several weeks.  I can’t really describe my thoughts at the time, but I know you can relate.  We can weather these storms and press forward into the unknown.   

New Work for Fall: Relic II

Relic II50” x 28” (60” wood rod)Handwoven mixed fibers, fabric, leather, and upcycled cables

Relic II

50” x 28” (60” wood rod)

Handwoven mixed fibers, fabric, leather, and upcycled cables

It started with a bag that I fondly called my Mad Max Stash which was a collection of old black clothes and wires. I had in my mind the idea of making an apocalyptic piece of all the things we discard. Mind you, this was way before 2020 happened. The original vision was also to put it on the big loom, but at that time Relic I was on that loom and across town.  It was right after things started to close, and I wanted to get it started while I had time at home. I decided to do it in two pieces with the hopes of figuring out how to connect the pieces later.  It started to become more refined than what I had first intended so I went with it.  I cut the clothes into strips and made “yarn” of them.   I added some dark brown wool roving, as that is what I had at the time.  At one point the source for my thinner black wool had shut down because of the pandemic, and I had to stop working to wait for them to start shipping again.  While the initial idea was to make it from scraps and discards, I found that I had to do so out of necessity for a while.  

After the first bit of phone wire went in, I thought about connections.This period of time staying away from each other is strange, and we are connected via wires, waves, and cables. 

The clothes I shredded reminded me of times with friends:  the leggings I wore while painting the halls of the studio with a friend that has since passed, a thrift store shirt that had just enough of an 80s vibe to wear to my friend’s 80s Prom themed 50th birthday, a favorite sweater that I had worn in the office at my job in Ringgold, and my leather boots that I’ve had for years that took me to many parties and events. Man did those boots have some fun, but they had been re-soled and worn out again. 

The second piece came together and it was time to figure out how to join them. What had started as just a way to weave on a smaller loom became part of  this theme of connections, whether it is to each other or to the past through objects.  

A little story. The piece of wood that Relic II hangs from came from a hammock that I had on the rooftop balcony of my old apartment in downtown Chattanooga.  Someone once referred to it as the Friends apartment, because you had to step out the window to get to it.  I had that hammock out there, and spent countless Sunday afternoons and Saturday nights either alone with a glass of wine or a group of friends.

Relic II is available at Area 61 Gallery in downtown Chattanooga and would look wonderful over a bed or sofa adding interest and drama to that space.

Workshops in the time of Corona

So times have been strange. My last in-person workshop was way back in early March right before the shutdown. I donated my time for that workshop to help out The Chattery pay the bills. Their business is built on people coming together, and right now, we can’t be together.

Since then, they’ve shifted classes to be online and I taught a couple of online fiber workshops in April. We are repeating them in May. You can check them out on my class page if you are interested.

I definitely created some weave-monsters. That’s part of the joy of teaching though. I love seeing others get inspired.

I miss your faces.

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